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Description"The Wanderer Above the Sea of Fog" is an iconic painting by the German Romantic artist Caspar David Friedrich, created in 1818. This masterpiece captures a profound and introspective moment in the midst of a majestic, untamed landscape.
Friedrich portrayed the central figure with his back to the viewer, his identity concealed, thus inviting us to reflect on our own journeys, aspirations, and the profound sense of wonder inspired by the vast sea of misty, rolling mountains.
"The Wanderer Above the Sea of Fog" is a quintessential Romantic artwork that explores themes of individualism, the sublime beauty of nature, and the human capacity for contemplation in the face of the unknown.
Details
Soft and comfy pillow with a shape-retaining insert and premium polyester linen feel fabric is a perfect item to decorate your sofa and lay your head on for a cozy daily nap.
- Available in 2 sizes: 18 x 18 inches (46 x 46 cm) an 22 x 22 inches (56 x 56 cm)
- Overall print on both sides
- 100% premium polyester case (machine washable fabric)
- Shape-retaining polyester insert (handwash only)
- Hidden metal zipper
Soft and comfy pillow with a shape-retaining insert and premium polyester linen feel fabric is a perfect item to decorate your sofa and lay your head on for a cozy daily nap.
- Available in 2 sizes: 18 x 18 inches (46 x 46 cm) an 22 x 22 inches (56 x 56 cm)
- Overall print on both sides
- 100% premium polyester case (machine washable fabric)
- Shape-retaining polyester insert (handwash only)
- Hidden metal zipper
Delivery & Returns
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Rest of the world: 7-21 business days
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Caspar David Friedrich was a 19th-century German Romantic landscape painter, generally considered the most important German artist of his generation. He is best known for his mid-period allegorical landscapes, which typically feature contemplative figures silhouetted against night skies, morning mists, barren trees, or Gothic ruins. His primary interest was the contemplation of nature, and his often symbolic and anti-classical work seeks to convey a subjective, emotional response to the natural world. Friedrich's paintings characteristically set a human presence in diminished perspective amid expansive landscapes, reducing the figures to a scale that, according to the art historian Christopher John Murray, directs "the viewer's gaze towards their metaphysical dimension".
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