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Description"The Apotheosis of Hercules" is a stunning fresco that decorates the ceiling of the Hall of Mirrors in Palace of Versailles, created by the François Lemoyne between 1731 and 1736.
In this fresco, Lemoyne skillfully captures the essence of Hercules's ascension to godhood. The central focus is on Hercules, surrounded by a celestial aura, ascending to the heavens. He is celebrated by an assembly of gods and allegorical figures, who pay homage to his valor and divine achievement.
The fresco is a masterful example of the Rococo style, characterized by its ornate and graceful design. The use of pastel colors and intricate detailing adds to the overall charm and elegance of the artwork.
Details
Round wall clock with a cork base and steel face with a high resolution print. Combination of quality organic materials, accurate mechanism and fine art that will suit any decor. Hour points can be set as numerals, dots or be removed completely.
- 11.5 in or 29 cm in diameter
- Cork base (thickness: 1 in or 2.5 cm)
- Steel plate clock face
- White clock handles
- Silent sweep movement
- Requires 1 x AA battery (not included)
Round wall clock with a cork base and steel face with a high resolution print. Combination of quality organic materials, accurate mechanism and fine art that will suit any decor. Hour points can be set as numerals, dots or be removed completely.
- 11.5 in or 29 cm in diameter
- Cork base (thickness: 1 in or 2.5 cm)
- Steel plate clock face
- White clock handles
- Silent sweep movement
- Requires 1 x AA battery (not included)
Delivery & Returns
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Items are made to order and typically ship within 2-3 business days.
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ESTIMATED DELIVERY TIME:
United Kingdom: 7-21 business days
Rest of the world: 7-21 business days
30-DAY RETURNS
We accept returns and exchanges within 30 days of the delivery date.
For more information, please see Delivery & Returns page.
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François Lemoyne or François Le Moine was a French Rococo painter. He was a winner of the Prix de Rome, professor of the Académie de peinture et de sculpture, and Premier peintre du Roi to Louis XV. Lemoyne's work and talent notably plied in Versailles, earned him the esteem of his contemporaries and the name of the "new Le Brun". Pierre Rosenberg describes Lemoyne's style as "refined and introverted." Philip Conisbee refers to Lemoyne's paintings as having a "sensuous beauty" similar to works by Correggio.
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